| A
Selection of Poetry by James Sallis |
| James
Sallis writes on Jumping Tracks |
Five Deaths
1.
There
will be a few books with different titles
on the shelves,
houses where walls
are painted
another color,
shelves put up
in odd places, rooms
with the bad breath of old smoke;
there will be perhaps
a certain small sadness in the trees.
2.
When at last he
saw you
yesterday, stepping out from the crowd
on the street,
there were other recognitions
in his eyes,
that you saw perhaps
as he turned to walk away.
3.
Vallejo on his
Paris deathbed
at dawn
crying out
To Spain!
I'm going to Spain!
To his mother's
time,
where he would never age.
4.
Into a corner of
his eye
when for a moment he let his guard down
the world flew, and lodged.
It grew there.
You could see
the level rising, always rising.
So much world
in this small globe
too much, finally.
5.
His bicycle encrusted
with the white wax of old candles
and new ones flickering
against
his robes and the night,
always riding back
to the same thing,
coming to different conclusions.
###
For David
Getting
on towards nine in the morning,
a Thursday.
The new year
bobs outside my window; I've caught the fish
of a new day. Karyn's off to work.
I give over my coffee and shopworn sadness
to this room where both are forever most
at home, where clown's-feet slippers
stand out beneath my desk
waiting for the next corny bit of business
and sunlight won't look me straight in the face.
Your
letters continue to arrive, with stamps
upon which one could picnic, from strange countries.
sit balancing coffee and sadness
as chattery morning gathers bright skirts around me.
In dark hoods of chest, you write, our hearts wait,
blood-red, unappeased, and violent sunsets
rock weeping in the arms of the sea.
Since we've gone
to our separate corners,
old friend, the world has filled up with corners
of every sort, smaller all the while. Days led us
hand over hand along the line
not to mystery or new adventures, only to one dusk after another
hammily swirling it cape, bad bit players all.
Villages of roofs and days and children reared themselves
slowly about you. And I – I was abroad in the world,
footless and disloyal as the wind.
The same wind that
strikes now, perhaps: a sharp report
as midway up the tree beyond my window
a limb cracks away, subsiding into another
on its way to ground. The second shears away as well
and they hang there, a logjam at the mouth of gravity's river.
Intently I listen, but this mouth has no more to tell me.
Morning catches its breath and goes on.
For a moment, they
say, the eyes fill with recognition.
Then the tongue begins to push its way out of the mouth
like a cork gone bad. Vessels of that larger vessel,
the body, empty themselves. Overrun by barbarians
whose throat-clearing language no one understands,
the city is in a sad state. Tomorrow, coming home
from work, you will no longer recognize it.
A wife and children who are not yours
will greet you at the door. It will all begin again.
This
poem was written in December 1999 in tribute to Jim Sallis' close friend David
Lunde.
###
Old Poems
We pass on the
street
and do not recognize one another.
We sit side by side at a bar
talking for hours, saying nothing.
You want a refill, hon? asks
the waitress in her pocket-sprung apron.
Beautiful day, this old poem of mine
tells me as we walk by the river.
Out on a wide belt of water
boats eclipse one another.
I have no idea what he's talking about.
###
Copyright
© James Sallis. All rights reserved. Reprinted by permission.
Sorrow's
Kitchen
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James Sallis
on Jumping Tracks
Last
year James Sallis had ten books published, including his first volume of poetry
(Sorrow's
Kitchen) and a collection of essays (Gently
into the Land of the Meateaters). He is the author of the popular
Lew Griffin mystery series (including Eye
of the Cricket, Bluebottle,
and, coming later this year, Ghost
of a Flea), an avant-garde novel, Renderings,
and the spy novel, Death Will Have Your Eyes, as well as more than
one hundred short stories, poems, and essays. Sallis has worked as a creative
writing teacher, respiratory therapist, musician, music teacher, screenwriter,
periodical editor, book reviewer, and translator, winning acclaim for his
1993 version of Raymond Queneau's Saint
Glinglin. He has been shortlisted for the Anthony, Nebula, Edgar,
Shamus, and Gold Dagger awards. He lives in Phoenix, Arizona, with his wife,
Karyn.
Further
Reading
George
Saunders
Simone
Muench
Albert
Goldbarth
Luis
Alberto Urrea
James Sallis' website
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del Sol
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