| Gershom
Gorenberg |
| Interview
by Gavin J. Grant |
Gershom
Gorenberg has lived in Jerusalem for the last 23 years. We talked by phone about
his nonfiction book, The
End of Days, the complexity of writing about the Middle East for the
American reader, and about how the heart of the problem involves the clash of
different stories.
How did you
come to live in Israel?
I grew up in California
and I came [to Israel] to study in 1977 -- I ended up staying and going to graduate
school here, and beginning to work as a journalist, which I've done for the
last 17 years. I'm a citizen of both countries and, for writing a book like
this, that's very helpful because I'm writing about something I'm extremely
familiar with. I'm also writing for an audience in the country I grew up in
and I'm still very connected to. I think in both languages, as it were.
It must be hard
to report on such a complex subject.
That's always the
challenge, to strive to be as accurate as possible, but also to keep the American
reader -- who's at a great remove -- in mind. Not just in terms of language,
but also in terms of the process: It's an act of translation. Like any translation,
you have to be accurate to the original but also make sense in the translation.
What I was seeking to do in the book was to provide a map, a guided tour, a
codebook to an aspect of the Middle East crisis that has been the least understood
but has an immensely powerful influence.
The Temple Mount
does not come up in the news very often.
In the last few
months, it has -- from the Camp David negotiations through Ariel Sharon's visit
to the mount, and the beginning of the current uprising, people found themselves
suddenly hearing about this subject. I don't think a lot of sense has been made
in the daily news coverage out of why this little piece of real estate would
cause this great big crisis.
I gave a copy of
the pre-publication galley to one Western diplomat and, after reading it, he
said, "Wow. Now I see why they left the Jerusalem issue to the end of the negotiations."
I guess there are a lot of people who wish they could have left it a little
bit longer! I hope I've succeeded in making sense of why this issue, and particularly
the issue of one holy site, could have such an explosive influence -- and in
my opinion, has really had that influence over and over again in the history
of the conflict.
Can you explain
in simple terms what it is about the Temple Mount that causes this conflict?
The Temple Mount
is essential to the history and religious and national aspirations of each side.
It's an embodiment of visions that are part of the identity of each side in
the conflict, and that creates a zero-sum game: if one side has [the Temple
Mount], that's unbearable for the other side. So it has become an extremely
difficult issue.
The basic idea
I work from is that you have to take the stories and the beliefs of people very
seriously, even if you don't share them. Particularly when you are dealing with
the Holy Land, where the whole reason people care about this place is religion,
and essentially the stories religion tells about the past and the future. You
have to take those beliefs, even if you don't share them, as strategic facts.
The Temple Mount
is the holiest place in Judaism: It's the place where the temple stood in ancient
times, it's the place to which Jews turn when they pray. But more than that,
it's the place where, according to Jewish tradition, Abraham nearly sacrificed
Isaac -- a founding event in Judaism. And, it's the place where, according to
Jewish tradition, the temple will stand again at the end of history.
On the Muslim side,
it's the place where Muhammad -- the founder of the faith -- ascended to heaven
and literally met God, and it's also the place of final judgment. This is where
history essentially begins and ends. What's even more amazing about this story
is that, for a very large number of fundamentalist Christians in the USA and
around the world, it's also a place that is crucial to the fulfillment of prophecy
and the end of history. So you get this religious triangle, where all three
faiths, or at least elements of all three faiths, see this spot as essential
to their dreams -- and are obsessed with it. One of the things that does is
create a situation where any small action by one person reverberates incredibly
and has an immense emotional effect on members of the other side.
Which is why, from
the Camp David [negotiations] and Sharon's visit onward, I had that feeling
of standing on the sidewalk watching somebody driving a truck straight toward
a wall. You keep screaming, "Brakes! Brakes!" but they don't hear you. Something
as simple as a visit to the site by a politician intensely disliked on one side
was enough to set off a conflagration. It didn't even require a bomb, just the
symbolic action.
In terms of working
on the book, I felt I was working on a nonfiction Damascus
Gate, and the truth was definitely stranger than fiction. Usually when
people have talked or written about a threat, or that the Temple Mount might
set off some kind of conflict, they've written about it in terms of kooks or
psychiatric cases. This place has immense symbolic importance and attraction
to people who are quite sane, and sometimes to people who are part of the mainstream.
That actually makes the spot much more of a potential catalyst for a conflict.
So this is all
about the importance of storytelling?
In a sense, yes.
One of the things I say in the book is the Temple Mount that matters is built
out of stories, not out of stones. The stories that people tell about this place
are incredibly important. I set out to tell the stories of the people who tell
the stories about this place.
When I deal with
people who expect the end [of history] and expect the Temple Mount to be center
stage for the end, one of the things I found was that the whole way they look
at history is as if it's a novel -- with a clear beginning and end, a clear
plot, a clear hero, and a clear protagonist. The author, of course, being God.
I was writing a story about people who see the whole world as a story.
Do you think
this novelistic view is a twentieth century view?
The novel as we
know it now may have been invented [recently], but the story wasn't. The story
with a clear beginning and end, and even with a plot, certainly wasn't invented
[recently]. In some sense the kind of clear wrapping up [of modern novels] has
an older brother in the kind of religious tradition that sees the world as beginning
and ending at a certain point. If you look at the structure of the Christian
Bible
as it is currently ordered, it begins with the Book of Genesis, the beginning
of the world, and ends with the Book of Revelation, which is the clear, absolute
end of the world. So in a strange way, the early Christians who determined the
order of the books in the Christian Bible, essentially structured it as a novel
-- a novel that they thought was absolutely true. The Book of Revelation is
the denouement.
Part of the theme
of The End of Days is the fascination with stories and with the stories
people tell about history and tell about the future and how those stories have
immense power to affect our lives.
Do you think
there is any way out of the Middle East crisis?
That's
an open question. I always say that I write about people who engage in prophecy,
I don't engage in prophecy myself. Asking whether there's a way out, you risk
falling into that trap, because you're making a prediction. I think that the
beginning of finding a way out is recognizing that you're dealing not just with
practical issues but also with strong beliefs and what's holy to large groups
of people. Even if those aren't your beliefs, you have to take them seriously
and have respect for them if you're going to begin to look for a way to find
a compromise. One thing I suggested in an article I wrote for the Washington
Post, (LINK?) when it still seemed like the peace negotiations had a chance,
was that one approach to the problem of the Temple Mount is to declare that
it's under divine sovereignty. Each side could say, "Of course, it belongs to
God." Each would be thinking in terms of their god, but it's a way of avoiding
the zero sum problem.
Do you have
any book recommendations for people interested in the Middle East?
I
just reviewed Tom Segev's book, One
Palestine Complete, which I enjoyed very much. Another book which I
think is very good is Yaron Ezrahi's Rubber
Bullets, which is several years old. I have to say that when it came
to the religious element in the struggle, I found a rather limited selection
of books. You could find many religious tracts and books by the players on each
side -- in other words, there are lots of books in English about how prophecy
is being fulfilled in the Middle East. But books that try and make sense out
of that for the outside reader are rare, and they're particularly rare if they're
for the general audience and not just for The Journal of Obscure Studies.
Whereas you're
trying to introduce this subject to a wider audience.
What I'm trying
to do is something that is as serious as what would be done academically. I've
gotten very positive responses from academics. My goal is to explain the ideas
in a manner that can be read by the intelligent, curious general reader. And
I would hope not just a Middle East buff, but also somebody who is interested
in contemporary affairs. One thing that came up -- which was very interesting
to me as someone who is both American and Israeli -- is that I began to explore
the whole religious background to, for instance, the interest of the Christian
right in Israel which is very, very intense and which is really part of American
politics. Obviously, American politics has an effect on Middle East politics
in the clearest possible fashion. I saw myself as exploring a very interesting
part of American culture and politics. In a sense we're very familiar with the
role of the Christian Right in American domestic policy debates, abortion, prayer
in schools, all those things. But when it comes to the Middle East, there's
also very clearly a religious foreign policy. That was one of the things that
I sought to explicate.
The
End of Days
Search
for Gershom
Gorenberg's books on BookSense.com
Gershom Gorenberg
is a senior editor and columnist for The Jerusalem Report, a regular
contributor to The New Republic, and an associate of the Center for Millennial
Studies at Boston University. He grew up in California and since 1977 has lived
in Jerusalem, where he received his M.A. from Hebrew University. He is married
and has three children.
Further Reading:
Daniel Asa
Rose
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