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Alexander
Irvine
Interviewed
by Gavin J. Grant
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Alexander
(Alex) C. Irvine's debut novel, A
Scattering of Jades, has just hit the bookstore shelves.
Set in the USA in the 1840s, the multiple plots in Scattering... include
an Aztec mummy discovered in Mammoth Caves in Kentucky, Tammany Hall machinations,
ancient gods being reanimated, and one man's search for his daughter whom
he had thought dead. By the end, all the disparate stories come together
into one big page-turning adventure.
In the past
year or so, Irvine has published an impressive number of short stories
in The Magazine of Fantasy & Science Fiction, Alfred Hitchcock's
Mystery Magazine, Strange Horizons, and the anthology Starlight
3. This summer he will have also have two short story chapbooks
published. He is nominated for the John W. Campbell Best New Writer Award,
and has just started a new magazine, The Journal of Pulse-Pounding
Narratives.
He lives
with his wife, Beth, and their twins, Ian and Emma, in Portland, ME.
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BookSense.com:
In A
Scattering of Jades, a lot depends on the action within Mammoth Caves
in Kentucky. Have you been to the caves or have you ever lived in Kentucky? Why
did you choose to write about them -- and was it hard to get across the feeling
of being in the caves?
I've been to Mammoth
Cave five times, and taken every tour that the public can take, some of them
several times. It is an utterly amazing place. I was immediately provoked to
write about it, and the story of Stephen Bishop also cries out for telling.
A prominent caver named Roger Brucker is currently working on a biography of
Bishop, who came to the cave as an illiterate 17-year-old and within 10 years
became one of the world's most celebrated cave explorers. He had dreams of emigrating
to Liberia, and was manumitted in the 1850s, but died before he could make the
voyage.
The cave isn't
scary at all. It is spectacular -- in Bishop's words, "grand, gloomy, and peculiar."
I imagine it must have been scary for the first explorers, but now it's...pick
your superlative adjective: Monumental. Staggering. Astonishing. All of those
things, and simply beautiful.
I'm not sure how
good a job I did conveying the experience of being in the cave. So much of what
you experience below ground has no real analogue in daylight existence. The
darkness actually has weight. The air has a smell. Sound carries differently.
I sweated over the parts of the book that narrate sensory experience in the
cave, and I hope they come across well. The reviewer for the National Speleological
Society newsletter seemed to think the cave bits were pretty good, so I guess
I was on the right track.
Not everyone
would sit down to write a novel and bring together Tammany Hall and ancient
Aztec gods...how did this novel come together?
In addition to
the trip to the cave, I was reading a biography of P.T. Barnum, and I think
the two things started simmering in my head. Also, I was reading a bit about
Aaron Burr's conspiracy to invade Mexico and set himself up as emperor of the
North American continent west of the Appalachians. Burr had dealings with Tammany
Hall, and the collection of Barnum's original American Museum had been started
by the Tammany Society, and things went from there. I looked up the origin of
the name Tammany and found that the Society was named for the Lenni Lenape chief
Tamanend, and then I did some reading about the Lenape and found that they have
preserved a narrative of a war back in the shadows of time against a people
called the Snake. Then I read that Tamanend had supposedly been in contact with
the Aztecs at some point (he was apparently several hundred years old when he
and William Penn signed their treaty under the Shackamaxon Elm), and that's
where the book hit critical mass. Back to Mammoth Cave, I started reading up
on the mummies that early explorers found, and presto. I wanted to write a big
book with lots going on that didn't actually contravene known history but took
place in historical interstices, and I figured the best way to do that was to
read a lot and let connections jump out at me. Man, did they jump.
Tim Powers once
said that there came a point during his reading for his novel
Last Call when he felt that he wasn't actually inventing anything,
that in fact he was discovering it. I had a couple of moments like that in the
research for Jades. A kind of spooky example: one morning I was driving
around with my wife Beth in Framingham, Massachusetts, saying to her that I
would give anything for a Nahuatl-English
dictionary. (Nahuatl was the primary language of the Aztecs.) We both laughed
at the absurdity of this idea, and then that afternoon we walked into the Borders
in Framingham and there on the remainder table for one dollar was a Nahuatl-English
dictionary. Moments like those make you wonder who's pulling your strings.
Another one: In
the book I have P.T. Barnum buy a mummy from Mammoth Cave to display in his
American Museum. I did this because it was fun and a good way to get the mummy
to New York, where I had all kinds of things planned for it. Then, just a couple
of weeks ago, the aforementioned NSS reviewer let me know that Barnum really
did exhibit a mummy from Mammoth Cave. I had never known that. So I got off
easy there, wrote something that was pure story, and found out that it bears
a close resemblance to history.
Are you a spelunker?
Or did writing this novel turn you into one?
Am not -- but would
like to be. I've been on a number of commercial cave tours, and the "wild cave"
tour at Mammoth, which is six hours of mud and tight spaces: A great experience.
Plus I've been in some of the small caves that you can find in Colorado, and
so forth. Writing A Scattering of Jades sharpened my desire to become
a caver, but I haven't done it yet. My dream is to get into Lechuguilla, in
New Mexico. I'd carry water for the rest of a survey team if they'd let me in
there.
Aside: you'd have
to work pretty hard to find anyone who spends a lot of time in caves and wants
to be called a spelunker. "Caver" is the strongly preferred term. I was just
signing at the National Speleological Society Convention up in Camden, Maine,
and I saw a bumper sticker that read CAVERS RESCUE SPELUNKERS. Signing at the
convention was great because I came away with half a dozen invitations to go
caving.
Are there any
other places that grabbed you in the same way as Mammoth Caves and made you
want to write about them?
Quite a few. An
unlikely number of them have something to do with caves, actually. St. Louis
is built over an extensive cave system, much of which was used as brewery storage
before being sealed off around the turn of the century. Apparently much of the
system still exists, and is even accessible if you know where to look. There's
a book waiting to happen there.
Other places that
have really captivated me are Mesa Verde in Colorado, Seattle (another city
with tunnels beneath it), Oak Island in Nova Scotia; lots of others.
Oak Island is particularly
fascinating. Sometime around 1790, a guy on the island noticed the remains of
a block and tackle hanging from a tree branch over a squarish depression in
the earth. He started digging and got to a layer of caulked logs about ten feet
down. After going to get a friend, he kept digging, and they found a couple
more layers of caulked logs. Below the last was what looked like a shaft. They
knocked off for the day and came back the next morning to find their dig flooded
with seawater.
Over the next 200
years, all kinds of people (including a young Franklin Roosevelt) took a whack
at getting to the bottom of the shaft. Ultimately it was discovered that whoever
dug the shaft also had built an artificial beach to hide a series of tidal traps
that flooded the shaft when the seals on top were broken. A number of these
traps were dynamited shut, but the shaft still floods. It's been excavated down
to around 200 feet, and all kinds of things have been recovered in or around
it: a gold coin dating from the 14th century, a bit of parchment with unreadable
writing, et cetera.
Recently someone
sent a camera down into the depths, and that person swears he saw a dead body
in a chamber at the bottom. There have been sonar sounding, all kinds of stuff,
but still nobody's been able to figure out what's down there or who put it there.
Theories range from pirate treasure -- apparently Mahone Bay, where Oak Island
is, bears a resemblance to a map carved into the inside of a chest owned by
Captain Kidd -- to Templar treasure taken to the New World by Henry the Navigator,
to -- I kid you not -- Bacon's manuscripts of the plays attributed to Shakespeare.
Absolutely a gold mine for a novelist, Oak Island. When I was there I knew right
away I had to use it in a book, and did. It plays a prominent role in another
novel I've written, called One King, One Soldier. One King also involves
baseball, Arthur Rimbaud, Jack Spicer, the Holy Grail, and the Ark of the Covenant.
Was Tammany
Hall really founded as a supernaturally oriented group?
It really was founded
with the idea that the members would honor the qualities they admired in the
great Lenni Lenape chief Tamanend, who signed an important treaty with William
Penn, and they really did indulge in a lot of hocus-pocus kind of rituals. But
I don't think they were into esoteric wisdom. It was sort of an Elks Lodge at
the beginning, before it metamorphosed into a ruthless political machine and
got Martin Van Buren elected president (after having failed with Aaron Burr).
You've published
a number of short stories. How did you find making the jump to writing novels?
Funny you should
ask. I wrote a large part of A Scattering of Jades before I'd ever written
a publishable short story. I started taking notes for the book in late summer
of 1993, and didn't write a salable short story until 1994 (and it didn't sell
until 1998, and wasn't published until 2000).
So I was writing
the novel and writing short stories at the same time, and I've worked that way
ever since. I find that if I start to get lost in a novel, which happens to
me fairly often, I can refocus by putting the book down and writing a couple
of short stories. The flip side of this phenomenon, which is happening to me
right now, is that when my short stories start getting longer and longer, I
know it's time to start another novel, so that's what I'm doing.
Your bio states
(and a couple of reviewers have picked up on) that you are a descendant of P.T.
Barnum's. Does this mean you had to run away from the circus when you were growing
up?
I've been surprised
at how reviewers latched onto this detail. What I actually told the editor was
that I am probably descended from P.T. Barnum -- it would take too long to explain
how I know this -- but the "probably" got lost on the way to the catalog copy.
Which is fine, I think, and how Phineas himself would have wanted it. The probability
is very high, so I don't feel like I'm making an outlandish claim, or having
one made for me.
Have you worked
at a circus -- or been tempted to?
This question stopped
me in my tracks because I suddenly realized that I've never been to a real full-blown
circus. Lots of carnivals and animal acts, but never a three-ring circus with
a ringmaster and the whole nine yards. So no, I haven't worked at one, but I
did think about it. I majored in theater as an undergrad, and I've always been
a decent athlete, so I thought seriously about going to the clown college that
Ringling Brothers runs in Florida. (I think it's Ringling Brothers.) If I'd
followed through on that, I might well have ended up working in the circus.
If you did join
the circus, what would you do?
Well, if not a
clown, let's see. I can juggle a little bit, but not well enough to hold an
audience, I don't think, and I'm not cut out for animal training because I'd
feed them too much and when it came to showtime the tigers wouldn't want to
get off the couch. I'd get a kick out of being the Human Cannonball, I think.
What are you
reading?
I just read a great
book about contemporary pool hustlers called Playing
off the Rail. And I've been reading books on Las Vegas. Fiction-wise,
I've been nibbling at Hasek's The
Good Soldier Svejk and (for the millionth time, what a tremendous book)
Don
Quixote. Oh, and I recently finished China Mieville's Perdido
Street Station, which deserves all of its accolades, and I'm reading
one of the great black comedies about Hollywood, a novel by Bruce
Wagner called Force Majeure. And Anna Kavan's Ice.
My attention span is so fragmented by sleep deprivation that I can't focus
on any one book for too long, so I have one or two in every room of the house
that I can just pick up.
If you worked
in a bookshop, what would be on your Staff Picks shelf?
Jeff Ford's The
Portrait of Mrs. Charbuque, Ted Chiang's new collection Stories
of Your Life and Others, China Mieville's The
Scar, Gould's
Book of Fish by Richard Flanagan.
That's the brand-new
stuff. Other books that are front and center in my mind right now are Kafka's
Letters to His Father, The
Adventures of Kavalier & Clay, anything by Karen
Joy Fowler, Sean Stewart's Mockingbird,
Midnight's
Children by Rushdie, five or six of Philip
K. Dick's novels...there are others, but I'm not sure how big my shelf is.
A
Scattering of Jades
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