| What's
that you're waving? |
| by
Alan Jacobson |
"Drop
the gun or I'll shoot!" The FBI agent tightened his grip on the Glock 9mm and
held it out in front of him.
For a thriller
author, believability and credibility are important in effectively creating
a fictional world. Even though it's fiction, your plot has to be supported by
facts and information that not only sound real, but are real to
those in the field. For example, in the passage above, if I'd written that the
agent pulled his Smith & Wesson, those who know that agents carry Glocks would
feel like I hadn't done my homework. And they'd be right.
In addition to
paying attention to the quality of prose, character development, setting, conflict,
action, and suspense, an author has to do extensive research in areas he or
she may not be knowledgeable. But research can have an important secondary benefit:
the people a writer calls for information can lead to other contacts and experiences
that prove crucial to building that author's knowledge base.
Eight years ago,
when I was writing my first (as yet unpublished) novel, I received a call from
the head of the California Department of Justice's crime lab training division.
He needed a reference on one of my employees, who had applied to his program.
After answering his questions, I asked mine -- which dealt with a character
in the novel I had been writing. He was very accommodating, and I held on to
his phone number.
Two
years later, when I started outlining my first published novel, False
Accusations, I again contacted this gentleman. When I explained what
I needed, he permitted me to audit a weeklong class at the crime lab on blood-spatter
pattern analysis. Also taking the class was Mark, an FBI agent, who was helpful
in putting me in touch with other people for a different novel I was beginning
to outline. Mark and I maintained a relationship after the class ended, and
a short time later, he was promoted to the FBI Academy in Quantico, Virginia.
He became one of the profilers at what used to be called the Behavioral Science
Unit, made famous by Thomas Harris' book The
Silence of the Lambs.
The
following year, Mark invited me to tour the FBI Academy, a trip that proved
crucial when I began outlining my just-released thriller, The
Hunted. A good part of The Hunted is set at the Academy, and
many of the places the character goes -- where he trains, eats, sleeps, attends
classes -- I also went, to smell the smells, taste the food, hear the noises,
and talk to the people. There's no substitute for experiencing a place first-hand.The
depth of the experience always comes out in your writing.
I needed to do
extensive research for both False Accusations and The Hunted.
Over the years, my research contacts have come in all forms: sometimes they
exist for the length of a single phone call, or they can be lifelong sources.
My FBI contact started out as a contact, and he became a good friend.
If
you can't locate a live person to provide information, other resources are available.
For example, for mysteries or thrillers, a useful tool is the "Howdunit It"
series from Writer's Digest Books. Other resources I've found helpful is The
Mafia Encyclopedia by Carl Sifakis, or, for a text that covers a host
of topics, The Writer's Ultimate Research Guide,* by Ellen Metter.
When the manuscript
for The Hunted was finished, Mark reviewed it and told me where I had
missed the mark regarding FBI policy and procedure. After making the corrections,
I was secure in the knowledge I had done my best to be credible. Again, the
story is fiction -- but a good writer bolsters his fiction by shoring it up
with facts.
The next time your
FBI agent pulls his gun, make sure it's a Glock. You'll be glad you got it right.
*Out
of print. Try Facts
in a Flash: A Research Guide by the same author.
The
Hunted
Search
for Alan
Jacobson's books on BookSense.com
Alan Jacobson,
pictured above at the FBI Academy's indoor target range, has just published
his second thriller. His first book was recently picked up to be made into a
TV movie.
Further Reading
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