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Sue
Monk Kidd
An interview by Katherine H. Wyrick from
The buzz on Sue Monk Kidd's dazzling fictional debut
There's
a sweet new voice in the world of Southern fiction, and it would be wise to
listen. Known primarily for her books about spirituality (The
Dance of the Dissident Daughter), Sue Monk Kidd now offers us her first
novel,
The Secret Life of Bees. But in her first work of fiction,
Kidd does not stray far from her interest in the interior life. More than the
coming-of-age story of Kidd's endearing heroine, Lily Owens, The Secret Life
of Bees is the story of a soul's journey, its evolution and its slow awakening
to life's great mystery.
"I
think of it as something deeper and more profound happening to [Lily] at the
level of soul, and I wanted her to have a real transformation and a real awakening...to
this other realm," Kidd says during a recent call to her home in Charleston,
South Carolina.
But
the path toward enlightenment is not always an easy one. As a young child, Lily's
life was changed forever by one tragic event -- the death of her mother. When
we meet her as an adolescent, she is trying to come to terms with this loss,
and with her relationship with her cruel father, T. Ray. Life on their South
Carolina peach farm might be too bleak to bear if not for the feisty Rosaleen,
Lily's "stand-in mother" who works for the family. Kidd writes beautifully of
their relationship, its subtle workings and its fierce love.
"The yearning
for home and mother, which is what drives Lily, is deeply embedded in all of
us," says Kidd. "The symbolic layer of the novel for me was this longing that
is in every human soul for the mother. The mother within, the archetypal mother,
the divine mother, whatever you want to call that, it is in us, and we recognize
it when we see it in another story, and it resonates in us. And home -- the
deepest calling we have is to come home to ourselves. And so those things were
operating in my mind when I was trying to write Lily's story. Mostly, I have
to say, I wasn't thinking about all that; it was sort of in the background.
I wasn't trying to write symbolically, and I wasn't trying to write about these
archetypes and symbols, I was just trying to tell a really good story." And
at that she succeeds. The Secret Life of Bees is Southern storytelling
at its finest, but the layers of this story run deep.
Ironically,
Lily's journey home begins when she leaves the peach farm. The opportunity comes
when Rosaleen takes a stand against some racists in town and is beaten and jailed;
Lily then knows that it's time for them to fly. Led by Lily's search for clues
about her mother's past, and guided by a picture of a Black Madonna her mother
left behind, they make their way to Tiburon, South Carolina. It is there that
Lily and Rosaleen meet three sisters who welcome them into their world of bee-keeping
and their own brand of spirituality centered around a Black Madonna. And it
is there, among these bee-keeping sisters, that Lily embarks on a mystical journey
into the world of bees and the sacred feminine.
The
symbol of the bee and of the Black Madonna are perfectly wedded to one another,
yet Kidd says that she didn't know any of the symbolism of bees before writing
The Secret Life of Bees or about the amazing connections to the Virgin
Mary. Somehow the two just coalesced. "I think we have to trust that choreographer
inside the writer who does offer up these gems and images at times. And we don't
know how rich and layered they really are." When she began her research, she
thought, "I can't believe it! Here we go." Upon discovering that Mary was often
referred to as the queen bee and thought of as the bee hive, Kidd says, "I was
so floored." She adds, "Bees and honeymaking lend themselves to ideas of change
and transformation. And they also sting, so you've got to have that side of
it."
Kidd's research
included spending some time with beekeepers. Her hours in the honeyhouse and
at the hives were invaluable. "Some of those scenes where Lily is experiencing
that rush of feeling and emotion when the bees come swirling out of their hives,
I could never have gotten that from a book. The fear and delight of all that
and the sounds of it....The way your feet stick to the floor in a honeyhouse...The
senses are alive in all of that experience." Kidd's vivid prose makes The
Secret Life of Bees a sensual experience for the reader, too.
Kidd was also inspired
by a visit to a Trappist monastery in South Carolina where she came upon an
unusual statue of Mary, unusual in that it was a ship's masthead that had made
its way to the abbey from the shores of a distant island. "The day that I discovered
her, I was totally captivated by...the powerful imagery of this masthead Mary
that was surfacing from the deep, washing up from the deep, onto the shores
of consciousness so to speak, and here is the feminine, returning. And I just
could not get over that."
It
seems the time was right for Kidd to make the jump from memoir to fiction, and
indeed this novel feels inspired. Kidd says the work was a challenge, but one
she'd always hoped to meet. "In fact, when I first came to the idea that I would
pursue a career as a writer I wanted to write fiction. But things didn't work
that way for me....Maya Angelou said [to be a writer of fiction] you have to
have something to say and you have to have the means or the ability to say it,
and then you have to have the courage to say it at all. And I don't think I
had enough of all three of those...when I was in my late 20s and early 30s."
The Secret Life
of Bees makes clear that Kidd does possess all the elements that make the
alchemy of storytelling possible. She adds to that mix humor and an understanding
of human relationships, and the end result is something quite extraordinary.
"Sometimes you just get a gift from your own unconscious or from somewhere,"
the author muses. The Secret Life of Bees is certainly a gift to Kidd's
readers, one that both entertains and satisfies the soul.
The
Secret Life of Bees
Search
for all Sue
Monk Kidd's books
Katherine H. Wyrick
lives in Little Rock, Arkansas.
Author photo by
Ann Kidd Taylor.
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