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Michael
Tanner on Patrick Dennis
Interviewed
by Gavin J. Grant
BookSense.com:
Did you identify with Kerry, the young boy whose parents are on the edge of divorce
in Patrick Dennis' The
Joyous Season?
Michael Tanner:
Identify? C'est moi! In all modesty, I had a lot to do with the book.
Dad was amused by the slang I was using at age 10. He came to me one day and
said, "I want you to write me a list of all the things you say, all the expressions
and everything." I also gave him the algebra problem that, in Chapter Six necessitates
a call to the Institute for Advanced Studies at Princeton.
The book was a
tremendous consolation to us. Betsy calls it "a very sweet gift." I adored my
father and took it very hard when he left.
Did you live
in New York at the time The Joyous Season was written?
Yes. My mother
Louise and Betsy and I were living in the townhouse at 101 East 91st Street,
and Dad was in a gorgeous apartment overlooking Central Park at 930 Fifth Avenue.
He took us to many of the places mentioned in the book: the Lipizzaner Stallions,
Broadway shows, and lots of restaurants (Passy, Voisin, the Orangerie). He was
a regular at Passy, and would insist we be served wine, which made the maitre
d' sick with fear. The South American restaurant in Chapter Eight is La Fonda
del Sol, long since defunct like all the rest of the places.
I remember one
date when I had my hair cut in the Fifth Avenue apartment by his personal barber,
then off in a London Town Car to lunch with Nancy Walker's daughter Miranda,
then off to see Burt Lahr in "Foxy." It was all very posh, but of
course Betsy and I just wanted him to come home.
Did you know
anyone like Kerry's friendly (but not particularly bright, and usually tipsy)
uncle, H.A?
H.A. was based
on my mother's cousin Howard. He was tall, aristocratic, gorgeous, and in my
father's words, "barely had the brains to dress himself." He was always extending
these halfhearted invitations to Betsy and me to come up and visit him at his
place in Stonington, CT. Chapter One is Dad's meditation on what such an experience
might have been like for us. In addition to the four of us in the nuclear family,
many of the characters in the book were based on actual people. Lulu was our
nurse Corry Salley, and the grandmothers were more or less our grandmothers
Florence Tanner and Helen Stickney. The rivals, Sam and Dorian, were
made up.
When you were
a child, was your father writing all the time?
Dad always said:
"I write fast or not at all." There were long periods of hibernation when he
would just watch a lot of television, on the order of "Heavyweight Wrestling
from Bridgeport" and the soap opera "Young Doctor Malone." Then
he would spring into action and bang out a novel in 90 days with very little
revision.
Among my fondest
memories is the sound of the typewriters going all day, then overhearing Mom
and Dad reading their stuff to each other, cracking each other up.
Did you see
much of him?
We saw a lot of
him until my parents separated in 1962, when I was eight and my sister Betsy
was five. Then it was weekend dates and outings very much as in the book. In
1965 he moved to Mexico City and of course we saw a lot less of him then. My
parents never divorced. When he was diagnosed with pancreatic cancer in 1976,
he moved back home and died in my mother's bed.
What did your
mother write?
Here Today…(1959),
a collection of biographies of people who were famous in the 1930s. Miss
Bannister's Girls (1962) a novel based on the Chapin School in New York.
All the Things We Were (1966) a popular history of the '30s. Reggie
and Nilma (1969), Mom's divorce book told from Betsy's point of view, in
which Corry (Lulu, Nilma) plays a major role. Dr. IRT (1975) a juvenile
set in the New York City subway system.
The Joyous
Season has been out of print for years, yet it has many fans. Why do you
think it is so popular?
Because, after
all these years, the narrative voice is still very funny. Kerry is a typical
Patrick Dennis narrator, as in Auntie Mame and Genius: a thoroughly
decent young man with perfect common sense, observing the outlandish. The device
of mocking the foibles and social rites of adults through the voice of a precocious
child works very well. Kerry is dealing with the pain of the breakup, which
lends poignancy to the comedy. It's very touching at the end of Chapter Three
when Kerry and Missy, these sophisticated kids, cry themselves to sleep. The
New York City setting is attractive. And the central theme -- that adults underestimate
and misinterpret children -- is as true as ever.
Is The Joyous
Season your favorite of your father's books?
It's certainly
the one I'm emotionally closest to. The ending, however, is somewhat mechanical,
and was, in fact, partially written by his editor Julian Muller.
Of course, I love
the Auntie Mame books, and Little
Me (being reissued this fall) is a work of genius -- completely original.
Did your father
read to you when you were a child?
Uncle
Wiggily's Airship is about all I can remember, but I'm sure he did.
Do you have
children? Have you read them The Joyous Season?
Henry is five,
Katherine is one. Henry loves books, but seems extremely disinclined to embark
upon Harry
Potter and the Sorcerer's Stone, a 500-page book with no pictures. Novels
are so visually monotonous and unappealing. We'll see about The Joyous Season.
Katherine enjoys Goodnight
Moon and Puppy Says 1-2-3.
What are you
reading?
A
New Kind of Science by Stephen Wolfram. The cat is making some claims!
What books would
you always recommend?
To me, the mark
of a truly cultivated person is the ability to laugh out loud at the written
word. You hardly ever see that anymore.
The king of my
father's kind of writing is P.G. Wodehouse, particularly The
Code of the Woosters. His world is pure.
Also:
George Bernard Shaw's Prefaces.
I admire writers who can bring down the hammer. As Shaw said, "If you can
say a thing with one stroke, unanswerably you have style." When I was floundering
in the Arts in my late 20s, the Man
and Superman preface inspired me to become a doctor, which has worked
out well for me. The preface to Androcles
and the Lion is the best thing ever written about Jesus and what he
did and did not say. Portnoy's
Complaint by Philip Roth, and anything written by Tom
Wolfe.
The
Joyous Season
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