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Since
its founding in 1970, the mission of the Feminist Press at the City University
of New York has been to reclaim the best in writing by and about women.
In 1994, staff members traveled to Accra, Ghana, to participate in the
early planning of its most ambitious project to date, Women Writing Africa:
the publication of five anthologies of African women's written and oral
compositions, organized by region, as well as a series of individual books
by African women.
With the
support of The Ford Foundation, Women Writing Africa will include writing
from a continent of more than 50 countries and 400 languages. The first
volume in the anthology series will appear in 2002. To date, individual
books in the Women Writing Africa series You
Can't Get Lost in Cape Town by Zoë Wicomb; Changes
and No
Sweetness Here by Ama Ata Aidoo; and And
They Didn't Die by Lauretta Ngcobo.
According
to Florence Howe, the project's codirector and publisher director/emerita,
"Women Writing Africa is a project that aims to restore, present and preserve
African women's voices." Howe -- along with codirectors Tuzyline Jita
Allan and Abena P.A. Busia, both African literature scholars travels regularly
to Africa to meet with groups of scholars who are, piece by piece, researching
and collecting the literary history of African women.
David's
Story, a novel by Zoë Wicomb, is one of the most recently published
Women Writing Africa books. It revisits painful and overlooked aspects
of recent South African experience: the problematic modern history of
mixed-race "coloureds"; the internecine, sometimes lethal conflicts within
the liberation movement itself; and the treatment of women by their male
comrades in the struggle against apartheid. David's Story echoes
the wrenching disclosures of the Truth and Reconciliation Commission established
by the Mandela government.
The
ambivalence of the book's freedom-fighter protagonist, David Dirkse, is
key to the novel. After the 1991 unbanning of the ANC and Mandela's release,
David discovers his own name on a hit list, and has cause to reflect upon
his role in the movement. He at once recoils from the tactics of the freedom
struggle and accepts their justification. Married to Sally, who also trained
in the underground, David has broken the code of the resistance and become
emotionally involved with another guerrilla fighter, Dulcie. Now being
subjected to repeated torture, Dulcie haunts the text, much like Toni
Morrison's character Beloved.
In
the historical sections that interrupt the contemporary narrative, David's
Story explores the complex and little-known history of the Griquas.
Classified as "coloured" under apartheid, this mixed-race people are descended
from the native inhabitants of South Africa's Cape of Good Hope the Khoisan
(called "Hottentots" and "Bushmen" by whites), and the Cape's early European
settlers.
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