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Eudora
Welty, 1909 - 2001
by Gavin
J. Grant |
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Eudora
Welty died on July 23, at the age of 92. Miss Welty, as she was known
to readers, friends, and strangers alike, was one of the country's best-known
and well-loved writers. For years she was categorized as a Southern Writer,
as if this somehow precluded her work from applying to the human condition.
It wasn't until the 1970s that Welty began to receive widespread critical
acclaim to match her public and academic popularity.
She began
publishing short stories in the late 1930s, and later published a collection
of short stories, followed by her first novel. Her short stories ranged
from the comic to the frightening, while always managing to bring the
reader into the lives of her characters. She managed to escape categorization
and eventually worked her way into the pantheon of great American authors,
likened at various times to writers such as Mark Twain and Anton Chekhov.
Acclaim
for her writing, when it came, was great. In 1973 she was awarded a Pulitzer
Prize for her novel, The Optimist's Daughter; in 1987 she was
awarded the National Medal of Arts; in 1996 she was awarded France's highest
civilian honor, the Legion of Honor medal; and in 1999 she became the
first living American writer included in the Library of America series.
She was also awarded the National Book Critics Circle Award, the American
Book Award, several O. Henry Awards, and in 1980 received the Medal of
Freedom from President Jimmy Carter.
Outside
of her writing, Welty became well-known for her photographs. Her last
book, Country Churchyards, was a book of photographs taken while
she worked for the Works Progress Administration in the 1930s.
Oddly enough,
for one known by such a formal title, millions of people are familiar
with her first name through the Eudora email program -- which was named
after her by the developer, who is a fan of her writing.
Bookstores
across the country will no doubt join in the grief and celebration of
Welty's life and career. New readers will discover her sharp and evocative
short stories and the intricately linked families of her novels. Her books
will live on, as she will in our hearts, our memories.
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One
Writer's Beginnings
This
writer's beginnings were quite different from most: was there ever such
a bookish family? There's even a story about someone running into a burning
house to save some books! Of course, back then there were fewer people,
fewer writers, fewer books. This book will take you back to the early
decades of the last century and entertain you with Welty's inimitable
wit and humor.
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Collected
Stories
Welty
is familiar as a short story writer to generations of American schoolchildren
who are lucky enough to be introduced to her wonderful stories in textbooks
and anthologies of American literature. Everyone who enjoys short stories
should make sure this collection is within easy reach -- and should try
and pass it on. To find quite so many gems within one set of covers is
richness indeed.
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The
Robber Bridegroom
Welty surprised (and still surprises) many readers with her fantastical
first novel. She took elements from myth and folklore, the underpinnings
of an adventure novel, and produced an elegant, uproarious story. Owing
as much to Mark
Twain as to campfire storytellers across the world, this short novel
will delight and entertain.
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The
Optimist's Daughter
Judge
McKelva's daughter, Laurel, is shocked when her father tells her he is
going to the hospital because of a "disturbance in his vision." He has
always been a cheerful, lively man, and now, as he slowly fades away,
Laurel has to confront his, and her own, mortality. She also has to confront
her father's second wife, the brash Texan, Fay, and Fay's family, whose
presence at the funeral is as noisy as it is unwelcome. There is some
pure and beautiful writing in this 1973 Pulitzer Prize-winning novel,
including a scene where Welty manages to make a bird trapped inside a
house one of the scariest and most loaded scenes you will ever read.
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Country
Churchyards
Eudora Welty is one of the living legends of American literature,
and it is interesting to see one of her other interests explored: In the
1930s and '40s, Welty worked for the Works Progress Administration photographing
and writing about life in her home state of Mississippi. This is the third
book of her photos, a beautiful and thought-provoking volume. It is a
humbling and absorbing book; the 90 black-and-white photographs depict
gravestones, urns, statues of angels, chapels, and landscapes of final
serenity.
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